Sara Lamm is a writer, performer, and one of the directors of the new
documentary film, Birth Story: Ina May Gaskin and The Farm Midwives, which won the 2012 Los Angeles Film Festival
Audience Award and is currently in community previews across the country. Her
first film, Dr. Bronner’s Magic Soapbox, was released theatrically in 2007 and premiered on The
Sundance Channel's The Green. Her
work has also appeared on NPR, and in performance venues throughout NYC. For
five years she produced and performed in Dog & Pony, a live NYC variety show featuring sketch comedy and
multi-media performance. She lives in Los Angeles.
The feature-length documentary BIRTH STORY: Ina May Gaskin and The Farm Midwives tells the story of counterculture heroine Ina May Gaskin and her spirited friends, who began delivering each other’s babies in 1970, on a caravan of hippie school buses, headed to a patch of rural Tennessee land. With Ina May as their leader, the women taught themselves midwifery from the ground up, and, with their families, founded an entirely communal, agricultural society called The Farm. They grew their own food, built their own houses, published their own books, and, as word of their social experiment spread, created a model of care for women and babies that changed a generation’s approach to childbirth.
Forty years ago Ina May led the charge away from isolated hospital birthing rooms, where husbands were not allowed and mandatory forceps deliveries were the norm. Today, as nearly one third of all US babies are born via C-section, she fights to preserve her community’s hard-won knowledge. With incredible access to the midwives’ archival video collection, the film not only captures the unique sisterhood at The Farm Clinic–from its heyday into the present–but shows childbirth the way most people have never seen it–unadorned, unabashed, and awe-inspiring.
How old are your
children?
I have a five-year-old
daughter and a three-year-old son.
Where were you in your
career when your children were born?
I had just finished my
first documentary film, Dr. Bronner's Magic Soapbox, when my daughter was born.
When she was a week old, I took her to the LA premiere.(www.magicsoapbox.com)
I am a mere mortal mom
who struggles to keep writing and to plan her dance classes. How did you
navigate the demands of making an award-winning film, including the travel you
had to do, with motherhood?
The lucky thing is that we
were two moms working together--my directing partner Mary Wigmore and I shared
the weight--which I highly recommend to anyone who is struggling to get things
done (which is all of us!)--the support of another woman is key to the process
I think. We had each other's back and we were able to pick up the slack when
one of our children got sick, a babysitter cancelled, a husband had to leave
town for work, etc. Not to mention the fact that we had each other for
emotional support. When things got crazy, I could count on Mary to make me
laugh. There were a few times where we laughed until we cried and a few other
times where we cried until we laughed.
The shared experience is
so meaningful and has been a big part of making me feel not just connected to
the film, but also to Planet Earth…As for the travel, we did the best we
could--we planned things around school schedules, slipped out for short bursts
of filming and tried to keep the lunches made at home. But it must be said: the
house is a mess! (Pick the top three priorities and let the rest go!)
You are a part of the
continuum of women bringing awareness to the issue of women reclaiming their
birth experience. You mention outreach in your Fit Pregnancy interview. What
kind out outreach programs are you planning?
For now we are working
with a number of community organizations who are hosting preview screenings in
their regions. Hopefully, these activist groups are able to use our film to
raise money and awareness for their own work, and at the same time we are able
to continue to fund our own distribution plans. We have been working with a
terrific writer who is developing educational discussion guides, specifically
designed to help people understand that the stories we tell about birth in our
families and culture have a great deal to do with the way we experience birth
in our own lives. The Farm Midwives told themselves something very different
about birth than what you hear in the mainstream culture: they exchanged
positive stories, loved their bodies, and developed a birth culture where fear
was not the dominant energy.
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| Ina May at a prenatal visit |
With the high incidence
of c-sections in the U.S., many women hold natural, unmedicated birth as an
ideal. Even with a healthy baby, they feel a profound sense of
disappointment and failure when this perfect birth experience isn't realized. Can
you speak to this a little?
I agree with you, in some
circles women are set up to feel like they have failed if they do not get a
perfectly ecstatic birth experience. I would hate to think that our film
contributes to that feeling--a great doula I know always says that each baby
comes into the world in the way she is meant to, and we can learn from each one
of those experiences.
My first birth was
unmedicated, for example, but I still had funny feelings about it that I had to
deal with--it was a four-hours-of-pushing challenge, and I had to understand
that part of it was about digging deep while also surrendering to the help of
my doula, and part of it was about being kind to myself.
Each birth is a narrative
and we can look to these narratives to learn about ourselves--they are like
dreams: What details stand out? What did our intuition say to us? What feelings
do we remember having in each moment? How can we be gentle with ourselves, and
honor our births, NO MATTER WHAT? And then, on top of that, we have to
recognize that as women giving birth, we aren't isolated in our individual
experiences--we are part of a system, and that system has a history, and a
culture, and a particular belief system. So a birth that doesn't go "as
planned," can become great terrain for meaty investigation of all sorts.
Meanwhile, I try to say a
few other things to people when they ask about this issue. First, if you are
deemed "low-risk," please make sure that you are setting yourself up
with an experienced, well-trained caregiver who has a true, deep, and wise
understanding of the physiology of uninterrupted birth--often times, but not
always, this caregiver will be a midwife, a.k.a an Expert in Normal Birth. You
must feel comfortable with this person, and you must feel that she is capable,
and also kind. And you must give yourself permission to CHANGE PROVIDERS if its
not working (if, of course you are lucky enough to have the health insurance
which allows you to do so, which in our country not everyone has...)
Second, you do all the
work you need to do emotionally and physically to greet your birth head on,
with a clear intention, and then third, you hold the outcome lightly. This last
part is important--you must hold the outcome in your hands and heart but you
must hold it lightly--with the knowledge that you have done everything that you
can to prepare and now the baby will show you what is next. C-sections are
marvelous things when they are necessary.
Many moms constantly
feel torn between staying true to themselves and devoting themselves to their
children and families. As artists we have no choice but to stay connected
to our passion, but we cannot always avoid the guilt. Have you
experienced this?
Oh boy have I ever. This
is the NUMBER ONE topic among every creative mother I know. In the last 24
hours I have heard of three separate job opportunities that three separate
friends have turned down because they simply couldn't bear the amount of time
they would have to spend away from their children.
The days are spent
recalibrating--today not enough time at home, next week not enough time at
work--the best relief is hearing other women talk about the dilemma. And
focusing on The Middle Path--some mothering, some art, never all or nothing—a Mother
Artist is its own, vital part of the world--not only a mother and not only an
artist--how to stand tall in that identity and find others like us--that's the
challenge!
One solace I take is that
both of my kids will grow up in a house with a mother who models being engaged
creatively in the outside world. My daughter said to me the other day,
"When I grow up I want to be a mommy…and I want to make a movie!" I
hope I am around then to babysit for her!
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| Sara shooting at the Farm |
How does being an
artist play into your parenting?
I hope that the emotional
literacy I have learned from creative work is a major characteristic of my
parenting. On my best days I am present, and playful, and I give my kids
courage to face a million possibilities.
As your kids are
concerned, TV or not TV?
Some TV! No guilt! (Wild
Kratts!)
Must-have mommy quality
you wish you could get in an IV drip?
I wish that I had the
ability to tolerate two children screaming for bubble gum and bonking each
other on the head while the phone rings and the tea kettle boils.
Advice for mom artists
with big dreams?
Stick together.
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Sara Lamm and Mary Wigmore
photo: CJ Hicks
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